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Arts Make an Appearance at COP30

by Jan Lee Americas Nov 19th 20252 mins
Arts Make an Appearance at COP30

While most sessions by negotiators at COP30 in Belém, Brazil take place behind closed doors, art in the form of dancing, photography, sculpture, poetry, and painting is increasingly being used by attendees and organizers to engage with their audiences and bring marginalized voices to the fore.

Climate Elders, a photography exhibition spotlighting the voices and portraits of older people living on the frontlines of climate change, launched on November 7 and will continue until December 31, 2025. Bringing together the work of photographers from over 21 countries, the exhibition reveals the lived experiences of older people whose lives and livelihoods are being reshaped by the climate crisis. Each portrait is accompanied by a personal message addressed to world leaders – intimate reflections that underscore a shared plea for urgency, dignity, and inclusion in global climate policy. Following its run at the Museum of Sacred Art in Belém, Climate Elders will be donated to the museum.

Meanwhile, the Global Ethical Stocktake Pavilion is displaying climate related poetry from its Dialogue series in Asia, Oceania, and America. At several gatherings of the Global Ethical Stocktake, poets accompanied the discussions, listened to all the contributions, and transformed experiences, ideas, and emotions into original creations.

Greenpeace activists built a cardboard replica of the Eiffel Tower at Cop30 to symbolise the fragility of the Paris agreement at COP30.
Greenpeace activists built a cardboard replica of the Eiffel Tower at COP30 to symbolize the fragility of the Paris Agreement at COP30. Photos: UN Climate Change/Kiara Worth via Flickr.

“The result is a sensitive record of the spirit of each dialogue, making poetry an emotional language capable of illuminating dimensions of the climate crisis that politics and science often cannot reach,” the organizers’ display states. 

A singer performs during the EarthSonic Flow event at COP30.
A singer performs during the EarthSonic Flow event at COP30. Photo: UN Climate Change/Kiara Worth via Flickr.

“At the GES Pavilion at COP30, visitors will find this artistic interpretation of the regional dialogues held in Bogotá, Delhi, Sydney, and New York, through the words of poets Rodolfo Ramírez Soto (Colombia), Parneet Kaur (India), Amanda Anastasi (Australia), and Alixa García (Colombia/USA), who give literary form to the climate emergency and reaffirm the role of culture as an inseparable part of the pursuit of climate justice.”

At the Indonesia Pavilion, a dancer in traditional dress performs before each session. Topics at the Malaysian Pavilion cover storytelling and climate fiction as well as technical sessions. Outside the pavilion, guests engage in a painting exercise showcasing Malaysian artistic styles.

Brazilian 'artivist' Mundano's “COP30: Rise for Forests” installation at COP30, in partnership with Greenpeace.
Brazilian ‘artivist’ Mundano’s “COP30: Rise for Forests” installation at COP30, in partnership with Greenpeace. Photo: UN Climate Change/Kiara Worth via Flickr.
Drawings at COP30.
Drawings at COP30. Photo: UN Climate Change/Zô Guimarães via Flickr.

Featured image: UN Climate Change/Kiara Worth via Flickr.

You might also like: The Art of Change: Young Artists Are Turning Creativity into Climate Action

Tagged: Art COP30

About the Author

Jan Lee

Genevieve Hilton has worked in corporate affairs and sustainability in the Asia Pacific region since 1994. She previously led ESG and communications in Asia Pacific for Lenovo, as well as Corporate Citizenship and External Communications Asia Pacific for BASF. Since taking a step back from the corporate world in 2022, she has become a full-time sustainability activist and writer. Under the pen name Jan Lee, she is an award-winning science fiction writer. She is the co-author, with Steve Willis, of "Fairhaven – A Novel of Climate Optimism" (Habitat Press UK), a winner in the Green Stories contest. Her work has also been nominated for a Pushcart Prize and recognized several times in the “Writers of the Future” contest. She also is Editor-in-Chief of The Apostrophe, the quarterly magazine of the Hong Kong Writers Circle. She currently acts as a senior advisor for a number of environmental and social activist organizations.

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